@Kate Werble Gallery
83 VANDAM STREET NEW YORK, NY 10013
USA
Mar03-Apr14, 2012
CEASE, WIRE AND ROPE, 36 X 15 X 36 INCHES
2012年03月07日
MOLLY SMITH @ Kate Werble Gallery, New York
MOLLY SMITH
@Kate Werble Gallery
83 VANDAM STREET NEW YORK, NY 10013
USA
Mar03-Apr14, 2012
CEASE, WIRE AND ROPE, 36 X 15 X 36 INCHES
@Kate Werble Gallery
83 VANDAM STREET NEW YORK, NY 10013
USA
Mar03-Apr14, 2012
CEASE, WIRE AND ROPE, 36 X 15 X 36 INCHES
Norbert Bisky: Stampede @ Leo Koenig, Inc., New York
Norbert Bisky: Stampede
@Leo Koenig, Inc.
545 West 23rd Street
New York, NY 10011, USA
Mar02-Apr07, 2012
Untitled
2012
oil on canvas
39 3/8 x 31 1/2 in.
(100 × 80 cm)
willie
2008
oil on canvas
7 x 9 1/2 in.
(18 × 24 cm)
RECEO
2012
oil on canvas
43 1/4 x 59 1/8 in.
(110 × 150 cm)
n.n.
2009
oil on canvas
7 x 9 1/2 in.
(18 × 24 cm)
fiesta
2010/2012
oil on canvas
31 1/2 x 39 3/8 in.
(80 × 100 cm)
Stichprobe
2009
oil on canvas
19 3/4 x 15 3/4 in.
(50 × 40 cm)
Hazmat
2012
oil on canvas
19 3/4 x 23 1/2 in.
(50.2 × 59.7 cm)
Mayhem
2012
oil on canvas
55 1/8 x 43 1/4 in.
(140 × 110 cm)
Tunnel
2012
oil on canvas
78 3/4 x 59 1/8 in.
(200 × 150 cm)
Stampede 3
2012
oil on canvas
78 3/4 x 59 1/8 in.
(200 × 150 cm)
Stampede 2
2012
oil on canvas
78 3/4 x 59 1/8 in.
(200 × 150 cm)
Aumgn
2011
oil on canvas
39 3/8 x 27 1/2 in.
(100 × 70 cm)
Flashoever
2012
oil on canvas
19 3/4 x 15 3/4 in.
Havoc
2012
oil on canvas
19 3/4 x 15 3/4 in.
(30 × 40 cm)
R-Team
2012
watercolor, pencil on paper
10 3/4 x 7 1/2 in.
(27.3 × 18.9 cm)
Cauchemar
2012
watercolor, pencil on paper
11 3/4 x 15 3/4 in.
(30 × 40 cm)
8.23h
2010
watercolor, pencil on paper
11 3/4 x 15 3/4 in.
(30 × 40 cm)
Red Sea
2012
watercolor, pencil on paper
11 3/4 x 15 3/4 in.
(30 × 40 cm)
SWAT I
2012
watercolor, pencil on paper
12 1/4 x 16 1/8 in.
(31 × 41 cm)
Stampede
2012
watercolor, pencil on paper
15 3/4 x 11 3/4 in.
(40 × 30 cm)
Stampede VII
2012
watercolor, pencil on paper
7 x 10 1/4 in.
(18 × 26 cm)
Concordia
2012
watercolor, pencil on paper
12 1/4 x 9 1/8 in.
(31 × 23 cm)
Mayday
2012
watercolor, pencil on paper
12 1/2 x 9 3/8 in.
(31.9 × 23.9 cm)
Black Friday
2012
watercolor, pencil on paper
12 1/4 x 9 1/8 in.
(31 × 23 cm)
LEFT
2012
watercolor, pencil on paper
11 3/4 x 15 3/4 in.
(30 × 40 cm)
Rodenticide
2012
watercolor, pencil on paper
9 1/8 x 12 1/4 in.
(23 × 31 cm)
Stampede VI
2012
watercolor, pencil on paper
11 3/4 x 15 3/4 in.
(30 × 40 cm)
SWAT II
2012
watercolor, pencil on paper
11 3/4 x 15 3/4 in.
(30 × 40 cm)
installation view
@Leo Koenig, Inc.
545 West 23rd Street
New York, NY 10011, USA
Mar02-Apr07, 2012
Untitled
2012
oil on canvas
39 3/8 x 31 1/2 in.
(100 × 80 cm)
willie
2008
oil on canvas
7 x 9 1/2 in.
(18 × 24 cm)
RECEO
2012
oil on canvas
43 1/4 x 59 1/8 in.
(110 × 150 cm)
n.n.
2009
oil on canvas
7 x 9 1/2 in.
(18 × 24 cm)
fiesta
2010/2012
oil on canvas
31 1/2 x 39 3/8 in.
(80 × 100 cm)
Stichprobe
2009
oil on canvas
19 3/4 x 15 3/4 in.
(50 × 40 cm)
Hazmat
2012
oil on canvas
19 3/4 x 23 1/2 in.
(50.2 × 59.7 cm)
Mayhem
2012
oil on canvas
55 1/8 x 43 1/4 in.
(140 × 110 cm)
Tunnel
2012
oil on canvas
78 3/4 x 59 1/8 in.
(200 × 150 cm)
Stampede 3
2012
oil on canvas
78 3/4 x 59 1/8 in.
(200 × 150 cm)
Stampede 2
2012
oil on canvas
78 3/4 x 59 1/8 in.
(200 × 150 cm)
Aumgn
2011
oil on canvas
39 3/8 x 27 1/2 in.
(100 × 70 cm)
Flashoever
2012
oil on canvas
19 3/4 x 15 3/4 in.
Havoc
2012
oil on canvas
19 3/4 x 15 3/4 in.
(30 × 40 cm)
R-Team
2012
watercolor, pencil on paper
10 3/4 x 7 1/2 in.
(27.3 × 18.9 cm)
Cauchemar
2012
watercolor, pencil on paper
11 3/4 x 15 3/4 in.
(30 × 40 cm)
8.23h
2010
watercolor, pencil on paper
11 3/4 x 15 3/4 in.
(30 × 40 cm)
Red Sea
2012
watercolor, pencil on paper
11 3/4 x 15 3/4 in.
(30 × 40 cm)
SWAT I
2012
watercolor, pencil on paper
12 1/4 x 16 1/8 in.
(31 × 41 cm)
Stampede
2012
watercolor, pencil on paper
15 3/4 x 11 3/4 in.
(40 × 30 cm)
Stampede VII
2012
watercolor, pencil on paper
7 x 10 1/4 in.
(18 × 26 cm)
Concordia
2012
watercolor, pencil on paper
12 1/4 x 9 1/8 in.
(31 × 23 cm)
Mayday
2012
watercolor, pencil on paper
12 1/2 x 9 3/8 in.
(31.9 × 23.9 cm)
Black Friday
2012
watercolor, pencil on paper
12 1/4 x 9 1/8 in.
(31 × 23 cm)
LEFT
2012
watercolor, pencil on paper
11 3/4 x 15 3/4 in.
(30 × 40 cm)
Rodenticide
2012
watercolor, pencil on paper
9 1/8 x 12 1/4 in.
(23 × 31 cm)
Stampede VI
2012
watercolor, pencil on paper
11 3/4 x 15 3/4 in.
(30 × 40 cm)
SWAT II
2012
watercolor, pencil on paper
11 3/4 x 15 3/4 in.
(30 × 40 cm)
installation view
EDMUND ALLEYN @ Galerie Simon Blais, Montréal
EDMUND ALLEYN
@Galerie Simon Blais
5420, boulevard Saint-Laurent, local 100
Montréal (Québec) Canada H2T 1S1
Feb29-Mar31, 2012
Paradise Lounge (EAL-1993-34), 1993
Lavis sur papier
34 x 66 cm (13 3/8'' x 26'')
Sans titre (EAL-1991-16), 1991
Lavis sur papier
28 x 57 cm (11'' x 22 1/2'')
Sans titre (EAL-1993-10), 1993
Lavis sur papier
18,5 x 30,5 cm (7 1/4'' x 12'')
Sans titre (EAL-1992-03), 1992
lavis sur papier
27,5 x 35,5 cm (10.7'' x 14'')
Sans titre (EAL-b-2001-05), 2001
Lavis sur papier
20 x 24,7 cm (8'' x 9 3/4'')
Sans titre (EAL-b-2001-06), 2001
Lavis sur papier
21,5 x 26,5 cm (8 1/2'' x 10 1/2'')
Sans titre (EAL-1990-20), 1990
Lavis sur papier
31 x 38 cm (12 1/4'' x 15'')
Sans titre (EA-L-1989-10), 1989
Lavis sur papier
24,5 x 28 cm (9 3/4'' x 11'')
@Galerie Simon Blais
5420, boulevard Saint-Laurent, local 100
Montréal (Québec) Canada H2T 1S1
Feb29-Mar31, 2012
Paradise Lounge (EAL-1993-34), 1993
Lavis sur papier
34 x 66 cm (13 3/8'' x 26'')
Sans titre (EAL-1991-16), 1991
Lavis sur papier
28 x 57 cm (11'' x 22 1/2'')
Sans titre (EAL-1993-10), 1993
Lavis sur papier
18,5 x 30,5 cm (7 1/4'' x 12'')
Sans titre (EAL-1992-03), 1992
lavis sur papier
27,5 x 35,5 cm (10.7'' x 14'')
Sans titre (EAL-b-2001-05), 2001
Lavis sur papier
20 x 24,7 cm (8'' x 9 3/4'')
Sans titre (EAL-b-2001-06), 2001
Lavis sur papier
21,5 x 26,5 cm (8 1/2'' x 10 1/2'')
Sans titre (EAL-1990-20), 1990
Lavis sur papier
31 x 38 cm (12 1/4'' x 15'')
Sans titre (EA-L-1989-10), 1989
Lavis sur papier
24,5 x 28 cm (9 3/4'' x 11'')
John Wood @ BRUCE SILVERSTEIN 20TH STREET GALLERY, New York
John Wood
@BRUCE SILVERSTEIN 20TH STREET GALLERY
535 West 24th Street
New York, NY 10011, USA
Mar01-Apr21, 2012
Actual Line and Arranged Pinon Branches
1967, printed c. 1967
Gelatin silver print with taut string mounted to board
Signed on mount recto; signed on mount verso
9 1/4 x 11 inches
Candy Wrappers
1965
Gelatin silver print
Signed on recto; signed on verso
7 1/2 x 9 1/4 inches
Baltimore Steps
1994
Gelatin silver print
Signed, titled, and dated on mount recto
13 x 18 inches
Baltimore Steps
1994
Mixed media
Signed and dated on mount verso
13 x 16 1/2 inches
Baltimore Steps
1994
Mixed media
Signed and dated on mount verso
11 x 14 inches
Baltimore Steps
1994
Gelatin silver print
Signed, titled, and dated on recto
14 x 19 1/2 inches
Baltimore Steps
1994
Graphite
Signed and dated on mount recto
11 x 14 inches
Baltimore Steps
1995
Collage, gelatin silver print
Signed, titled, and dated on verso
14 x 19 1/2 inches
Beach Drawing
1983
Gelatin silver print
Signed and dated on verso
8 7/8 x 13 3/8 inches
Beach Drawing
1983
Gelatin silver print
Signed and dated on verso
8 7/8 x 13 3/8 inches
Beach Drawing
1983
Gelatin silver print
Signed and dated on verso
7 5/8 x 11 1/2 inches
Beach Drawing
1983
Gelatin silver print
Signed and dated on verso
8 7/8 x 13 3/8 inches
Beach Drawing
1983
Gelatin silver print
Signed, titled, and dated on verso
8 7/8 x 13 3/8 inches
Beach Drawing
1983
Gelatin silver print
Signed and dated on verso
9 x 13 3/8 inches
Untitled #1, from Fall Creek Rock Drawing Portfolio
1987
Gelatin silver print
11 1/2 x 14 3/8 inches
@BRUCE SILVERSTEIN 20TH STREET GALLERY
535 West 24th Street
New York, NY 10011, USA
Mar01-Apr21, 2012
Actual Line and Arranged Pinon Branches
1967, printed c. 1967
Gelatin silver print with taut string mounted to board
Signed on mount recto; signed on mount verso
9 1/4 x 11 inches
Candy Wrappers
1965
Gelatin silver print
Signed on recto; signed on verso
7 1/2 x 9 1/4 inches
Baltimore Steps
1994
Gelatin silver print
Signed, titled, and dated on mount recto
13 x 18 inches
Baltimore Steps
1994
Mixed media
Signed and dated on mount verso
13 x 16 1/2 inches
Baltimore Steps
1994
Mixed media
Signed and dated on mount verso
11 x 14 inches
Baltimore Steps
1994
Gelatin silver print
Signed, titled, and dated on recto
14 x 19 1/2 inches
Baltimore Steps
1994
Graphite
Signed and dated on mount recto
11 x 14 inches
Baltimore Steps
1995
Collage, gelatin silver print
Signed, titled, and dated on verso
14 x 19 1/2 inches
Beach Drawing
1983
Gelatin silver print
Signed and dated on verso
8 7/8 x 13 3/8 inches
Beach Drawing
1983
Gelatin silver print
Signed and dated on verso
8 7/8 x 13 3/8 inches
Beach Drawing
1983
Gelatin silver print
Signed and dated on verso
7 5/8 x 11 1/2 inches
Beach Drawing
1983
Gelatin silver print
Signed and dated on verso
8 7/8 x 13 3/8 inches
Beach Drawing
1983
Gelatin silver print
Signed, titled, and dated on verso
8 7/8 x 13 3/8 inches
Beach Drawing
1983
Gelatin silver print
Signed and dated on verso
9 x 13 3/8 inches
Untitled #1, from Fall Creek Rock Drawing Portfolio
1987
Gelatin silver print
11 1/2 x 14 3/8 inches
HAEMOSCURO | New Works by Jordan Eagles @ Mark Wolfe Contemporary Art, San Francisco
HAEMOSCURO | New Works by Jordan Eagles
@Mark Wolfe Contemporary Art
1 Sutter, Suite 300 (Enter 544 Market)
San Francisco, CA 94104, USA
Apr05-May25, 2012
"BARC 1-2" (2010).
20 x 40 x 3 inches (each)
Blood, copper preserved on plexiglass, UV resin.
@Mark Wolfe Contemporary Art
1 Sutter, Suite 300 (Enter 544 Market)
San Francisco, CA 94104, USA
Apr05-May25, 2012
"BARC 1-2" (2010).
20 x 40 x 3 inches (each)
Blood, copper preserved on plexiglass, UV resin.
JOACHIM KOESTER: OF SPIRITS AND EMPTY SPACES @ Institut d'art contemporain, Villeurbanne, France
JOACHIM KOESTER: OF SPIRITS AND EMPTY SPACES
@Institut d'art contemporain
11 rue Docteur Dolard
69100 Villeurbanne - France
Dec10, 2011-Feb19, 2012
Variations of Incomplete Open Cubes, 2011
Film 16 mm, noir et blanc, muet, 8’15’’
Courtesy Jan Mot, Bruxelles
Production Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
Variations of Incomplete Open Cubes, 2011
Film 16 mm, noir et blanc, muet, 8’15’’
Courtesy Jan Mot, Bruxelles
Production Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
Time of the Hashshashins, 2011
Photographies, tirages gélatino-argentiques
Courtesy Jan Mot, Bruxelles
Production Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
The Hashish Club, 2009
Installation, film 16 mm, noir et blanc, muet, 6’
Photographie numérique noir et blanc contrecollée sur forex, lampes
Courtesy Jan Mot, Bruxelles
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
Demonology, 2010
Film 16 mm, noir et blanc, muet, 4’12’’
Courtesy Nicolai Wallner, Copenhague ; Jan Mot, Bruxelles
Production Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
Tarantism, 2007
Film 16 mm, noir et blanc, muet, 6’30’’
Courtesy Jan Mot, Bruxelles
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
Morning of the Magicians, 2006
Photographies, tirages gelatino-argentiques virées au selenium, tirages numériques
Courtesy Jan Mot, Bruxelles
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
Morning of the Magicians, 2006
Film 16 mm, noir et blanc, muet, 4’50’’
Courtesy Jan Mot, Bruxelles
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
Message from Andrée, 2005
Installation, film 16 mm, noir et blanc, muet, 3’30’’
Photographies noir et blanc
Courtesy Nicolai Wallner, Copenhague
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
I Myself Am Only a Receiving Apparatus, 2010
Film 16 mm, noir et blanc, muet, 3’33’’
Courtesy Jan Mot, Bruxelles
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
@Institut d'art contemporain
11 rue Docteur Dolard
69100 Villeurbanne - France
Dec10, 2011-Feb19, 2012
Variations of Incomplete Open Cubes, 2011
Film 16 mm, noir et blanc, muet, 8’15’’
Courtesy Jan Mot, Bruxelles
Production Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
Variations of Incomplete Open Cubes, 2011
Film 16 mm, noir et blanc, muet, 8’15’’
Courtesy Jan Mot, Bruxelles
Production Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
Time of the Hashshashins, 2011
Photographies, tirages gélatino-argentiques
Courtesy Jan Mot, Bruxelles
Production Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
The Hashish Club, 2009
Installation, film 16 mm, noir et blanc, muet, 6’
Photographie numérique noir et blanc contrecollée sur forex, lampes
Courtesy Jan Mot, Bruxelles
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
Demonology, 2010
Film 16 mm, noir et blanc, muet, 4’12’’
Courtesy Nicolai Wallner, Copenhague ; Jan Mot, Bruxelles
Production Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
Tarantism, 2007
Film 16 mm, noir et blanc, muet, 6’30’’
Courtesy Jan Mot, Bruxelles
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
Morning of the Magicians, 2006
Photographies, tirages gelatino-argentiques virées au selenium, tirages numériques
Courtesy Jan Mot, Bruxelles
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
Morning of the Magicians, 2006
Film 16 mm, noir et blanc, muet, 4’50’’
Courtesy Jan Mot, Bruxelles
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
Message from Andrée, 2005
Installation, film 16 mm, noir et blanc, muet, 3’30’’
Photographies noir et blanc
Courtesy Nicolai Wallner, Copenhague
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
I Myself Am Only a Receiving Apparatus, 2010
Film 16 mm, noir et blanc, muet, 3’33’’
Courtesy Jan Mot, Bruxelles
Vue de l’exposition Joachim Koester, Of Spirits and Empty Spaces, 10 décembre 2011 – 19 février 2012, Institut d’art contemporain, Villeurbanne/Rhône-Alpes
Blaise Adilon
BERDAGUER & PEJUS @ Institut d'art contemporain, Villeurbanne, France
BERDAGUER & PEJUS
@Institut d'art contemporain
11 rue Docteur Dolard
69100 Villeurbanne - France
Mar16-May13, 2012
Time Zone, 2010
Installation
Vidéo, DVD, son, couleur, 60’
Christophe Berdaguer et Marie Péjus
Kilda, 2008/2012
chaînes, vidéo
Courtesy des artistes
Production Institut d’art contemporain
Christophe Berdaguer et Marie Péjus
Kilda, 2008/2012
chaînes, vidéo
Courtesy des artistes
Production Institut d’art contemporain
Christophe Berdaguer et Marie Péjus
Kilda, 2008/2012
chaînes, vidéo
Courtesy des artistes
Production Institut d’art contemporain
Christophe Berdaguer et Marie Péjus
Arbres, 2008
stéréolithographie, résine,
Courtesy des artistes
Courtesy FNAC/CNAP, Paris
Marc Domage
Forêt épileptique, 1998
Partitions, vidéo, DVD, son, couleur, 120’
Courtesy des artistes, Marseille
Christophe Berdaguer et Marie Péjus
Mies, 2005/2012
Bois, DVD, vidéo, couleur, 6’
Courtesy des artistes
Christophe Berdaguer et Marie Péjus
@Institut d'art contemporain
11 rue Docteur Dolard
69100 Villeurbanne - France
Mar16-May13, 2012
Time Zone, 2010
Installation
Vidéo, DVD, son, couleur, 60’
Christophe Berdaguer et Marie Péjus
Kilda, 2008/2012
chaînes, vidéo
Courtesy des artistes
Production Institut d’art contemporain
Christophe Berdaguer et Marie Péjus
Kilda, 2008/2012
chaînes, vidéo
Courtesy des artistes
Production Institut d’art contemporain
Christophe Berdaguer et Marie Péjus
Kilda, 2008/2012
chaînes, vidéo
Courtesy des artistes
Production Institut d’art contemporain
Christophe Berdaguer et Marie Péjus
Arbres, 2008
stéréolithographie, résine,
Courtesy des artistes
Courtesy FNAC/CNAP, Paris
Marc Domage
Forêt épileptique, 1998
Partitions, vidéo, DVD, son, couleur, 120’
Courtesy des artistes, Marseille
Christophe Berdaguer et Marie Péjus
Mies, 2005/2012
Bois, DVD, vidéo, couleur, 6’
Courtesy des artistes
Christophe Berdaguer et Marie Péjus
Asier Mendizabal @ Raven Row, London
Asier Mendizabal
@Raven Row
56 Artillery Lane, London E1 7LS, UK
Dec08, 2011-Feb12, 2012
Hard Edge #5, 2010
Hard Edge #6, 2010
MDF
Courtesy Anthony Reynolds Gallery, London
La Ruota Dentata [The Cogwheel], 2009
Iron and concrete
Museo Nacional Centro de Arte Reina Sofía, Madrid
Figures and Prefigurations (Divers, B. Munari, 1936), 2009
Cut-out from offset print
Collection of Fernando Gutierrez, London
Figures and Prefigurations (Divers, N. Lekuona, 1935, #3), 2009
Cut-out from offset print
Private collection, London
Figures and Prefigurations (Divers, K.Teige, 1941), 2009
Cut-out from offset print
Private collection, London
photo: Marcus J. Leith
Figures and Prefigurations (Divers, K.Teige, 1941), 2009
Cut-out from offset print
Private collection, London
Untitled (Targu Jiu), 2010
Concrete and offset prints
Courtesy Carreras Múgica Gallery, Bilbao
The Staff that Matters (30,000), 2009
The Staff that Matters (SI), 2009
Cut-outs from offset prints
Courtesy Anthony Reynolds Gallery, London
Bigger than a Cult, Smaller than a Mass (one, two backdrops), 2006
Fabric and newspapers
Collection of Patric San Juan, Bilbao
photo: Marcus J. Leith
Untitled (Targu Jiu), 2010
Concrete and offset prints
Courtesy Carreras Múgica Gallery, Bilbao
The Staff that Matters (30,000), 2009
The Staff that Matters (SI), 2009
Cut-outs from offset prints
Courtesy Anthony Reynolds Gallery, London
5 Cents Solution, 2011
10 Cents Solution, 2011
20 Cents Solution, 2011
1 Euro Solution, 2011
2 Euros Solution, 2011
Polaroid photographs
photo: Marcus J. Leith
Otxarkoaga (M–L), 2007
Black and white photograph, iron frame
Collection of Esther and Alberto Ferreiro, Bilbao
La Ruota Dentata [The Cogwheel], 2009
Iron and concrete
Museo Nacional Centro de Arte Reina Sofía, Madrid
photo: Marcus J. Leith
Auñamendi, 2006–10
36 framed photographic prints
Private collection, Spain
photo: Marcus J. Leith
Untitled (Memorial), 2009
Concrete
Collection of Teresa Fernandez, Bilbao
photo: Marcus J. Leith
Untitled (Memorial), 2009
Concrete
Collection of Teresa Fernandez, Bilbao
Untitled (Pikete) [Picket], 2010
Pigment print on cotton paper
Collection of Alex Gifreu, Figueres
photo: Marcus J. Leith
Delimitar #6 [Delimit], 2009
Engraving on gravoply mounted on birch plywood
Courtesy Gallery ProjecteSD, Barcelona
Know Your Rights, 2009
Plasterboard and aluminium
Courtesy Anthony Reynolds Gallery, London
photo: Marcus J. Leith
Base (Prizemljeno) #1 [Grounded], 2011
Base (Prizemljeno) #2 [Grounded], 2011
Base (Prizemljeno) #3 [Grounded], 201
pvc tubes and concrete
Untitled, 2003
Colour photograph
photo: Marcus J. Leith
Reformzirkus, 2008
Stainless steel, chipboard, fabric,
black and white photograph behind acetate
Courtesy Carreras Múgica Gallery, Bilbao
photo: Marcus J. Leith
Delimitar #3 [Delimit], 2009
Delimitar #1 [Delimit], 2009
Engravings on gravoply mounted on birch plywood
Courtesy Gallery ProjecteSD, Barcelona
A Letter Arrives at its Destination, 2011
Offset prints
photo: Marcus J. Leith
Le Trou #2 [The Hole], 2009
Tiles and styrofoam
Courtesy Gallery ProjecteSD, Barcelona
photo: Marcus J. Leith
Figures and Prefigurations (Divers, P. Galadzhev, 1920, #1), 2010
Cut-out from offset print
Collection of Carlos Vallejo, Santander
Le Trou #2 [The Hole], 2009
Tiles and styrofoam
Courtesy Gallery ProjecteSD, Barcelona
photo: Marcus J. Leith
@Raven Row
56 Artillery Lane, London E1 7LS, UK
Dec08, 2011-Feb12, 2012
Hard Edge #5, 2010
Hard Edge #6, 2010
MDF
Courtesy Anthony Reynolds Gallery, London
La Ruota Dentata [The Cogwheel], 2009
Iron and concrete
Museo Nacional Centro de Arte Reina Sofía, Madrid
Figures and Prefigurations (Divers, B. Munari, 1936), 2009
Cut-out from offset print
Collection of Fernando Gutierrez, London
Figures and Prefigurations (Divers, N. Lekuona, 1935, #3), 2009
Cut-out from offset print
Private collection, London
Figures and Prefigurations (Divers, K.Teige, 1941), 2009
Cut-out from offset print
Private collection, London
photo: Marcus J. Leith
Figures and Prefigurations (Divers, K.Teige, 1941), 2009
Cut-out from offset print
Private collection, London
Untitled (Targu Jiu), 2010
Concrete and offset prints
Courtesy Carreras Múgica Gallery, Bilbao
The Staff that Matters (30,000), 2009
The Staff that Matters (SI), 2009
Cut-outs from offset prints
Courtesy Anthony Reynolds Gallery, London
Bigger than a Cult, Smaller than a Mass (one, two backdrops), 2006
Fabric and newspapers
Collection of Patric San Juan, Bilbao
photo: Marcus J. Leith
Untitled (Targu Jiu), 2010
Concrete and offset prints
Courtesy Carreras Múgica Gallery, Bilbao
The Staff that Matters (30,000), 2009
The Staff that Matters (SI), 2009
Cut-outs from offset prints
Courtesy Anthony Reynolds Gallery, London
5 Cents Solution, 2011
10 Cents Solution, 2011
20 Cents Solution, 2011
1 Euro Solution, 2011
2 Euros Solution, 2011
Polaroid photographs
photo: Marcus J. Leith
Otxarkoaga (M–L), 2007
Black and white photograph, iron frame
Collection of Esther and Alberto Ferreiro, Bilbao
La Ruota Dentata [The Cogwheel], 2009
Iron and concrete
Museo Nacional Centro de Arte Reina Sofía, Madrid
photo: Marcus J. Leith
Auñamendi, 2006–10
36 framed photographic prints
Private collection, Spain
photo: Marcus J. Leith
Untitled (Memorial), 2009
Concrete
Collection of Teresa Fernandez, Bilbao
photo: Marcus J. Leith
Untitled (Memorial), 2009
Concrete
Collection of Teresa Fernandez, Bilbao
Untitled (Pikete) [Picket], 2010
Pigment print on cotton paper
Collection of Alex Gifreu, Figueres
photo: Marcus J. Leith
Delimitar #6 [Delimit], 2009
Engraving on gravoply mounted on birch plywood
Courtesy Gallery ProjecteSD, Barcelona
Know Your Rights, 2009
Plasterboard and aluminium
Courtesy Anthony Reynolds Gallery, London
photo: Marcus J. Leith
Base (Prizemljeno) #1 [Grounded], 2011
Base (Prizemljeno) #2 [Grounded], 2011
Base (Prizemljeno) #3 [Grounded], 201
pvc tubes and concrete
Untitled, 2003
Colour photograph
photo: Marcus J. Leith
Reformzirkus, 2008
Stainless steel, chipboard, fabric,
black and white photograph behind acetate
Courtesy Carreras Múgica Gallery, Bilbao
photo: Marcus J. Leith
Delimitar #3 [Delimit], 2009
Delimitar #1 [Delimit], 2009
Engravings on gravoply mounted on birch plywood
Courtesy Gallery ProjecteSD, Barcelona
A Letter Arrives at its Destination, 2011
Offset prints
photo: Marcus J. Leith
Le Trou #2 [The Hole], 2009
Tiles and styrofoam
Courtesy Gallery ProjecteSD, Barcelona
photo: Marcus J. Leith
Figures and Prefigurations (Divers, P. Galadzhev, 1920, #1), 2010
Cut-out from offset print
Collection of Carlos Vallejo, Santander
Le Trou #2 [The Hole], 2009
Tiles and styrofoam
Courtesy Gallery ProjecteSD, Barcelona
photo: Marcus J. Leith
The Stuff That Matters. Textiles collected by Seth Siegelaub for the CSROT @ Raven Row, London
The Stuff That Matters. Textiles collected by Seth Siegelaub for the CSROT
@Raven Row
56 Artillery Lane, London E1 7LS, UK
Mar01-May06, 2012
Coptic tunic (detail)
Egypt, ca. 6th century, wool and linen
CSROT Historic Textile Collection at the Stichting Egress Foundation, Amsterdam
@Raven Row
56 Artillery Lane, London E1 7LS, UK
Mar01-May06, 2012
Coptic tunic (detail)
Egypt, ca. 6th century, wool and linen
CSROT Historic Textile Collection at the Stichting Egress Foundation, Amsterdam
Sofie Thorsen: Schnitt A-A‘ / Cut A-A‘ @ Universalmuseum Joanneum, Graz
Sofie Thorsen: Schnitt A-A‘ / Cut A-A‘
@Universalmuseum Joanneum
Mariahilferstraße 2-4
8020 Graz, Austria
Mar03-May06, 2012
Installation Views
Photo: UMJ / N. Lackner
@Universalmuseum Joanneum
Mariahilferstraße 2-4
8020 Graz, Austria
Mar03-May06, 2012
Installation Views
Photo: UMJ / N. Lackner
Michael Kienzer: Logik und Eigensinn / Logic and Self-Will @ Universalmuseum Joanneum, Graz
Michael Kienzer: Logik und Eigensinn / Logic and Self-Will
@Universalmuseum Joanneum
Mariahilferstraße 2-4
8020 Graz, Austria
Mar03-May06, 2012
Sich, 2012
Photo: UMJ, Nicolas Lackner
31 x 97 Grad, 2012
Photo: UMJ, Nicolas Lackner
Skizze Vol. 6, 2012
Photo: UMJ, Nicolas Lackner
Verlorene Form, 2006/07
Photo: UMJ, Nicolas Lackner
Ohne Titel, 2012
Photo: UMJ, Nicolas Lackner
Gestell, 2012
Photo: UMJ, Nicolas Lackner
Haltung Vol. 1, 2007 (front right)
Photo: UMJ, Nicolas Lackner
exhibition view
Photo: UMJ, Nicolas Lackner
Sich, 2012 (detail)
Photo: UMJ, Nicolas Lackner
Missing Vol. 1, 2011
Photo: UMJ, Nicolas Lackner
@Universalmuseum Joanneum
Mariahilferstraße 2-4
8020 Graz, Austria
Mar03-May06, 2012
Sich, 2012
Photo: UMJ, Nicolas Lackner
31 x 97 Grad, 2012
Photo: UMJ, Nicolas Lackner
Skizze Vol. 6, 2012
Photo: UMJ, Nicolas Lackner
Verlorene Form, 2006/07
Photo: UMJ, Nicolas Lackner
Ohne Titel, 2012
Photo: UMJ, Nicolas Lackner
Gestell, 2012
Photo: UMJ, Nicolas Lackner
Haltung Vol. 1, 2007 (front right)
Photo: UMJ, Nicolas Lackner
exhibition view
Photo: UMJ, Nicolas Lackner
Sich, 2012 (detail)
Photo: UMJ, Nicolas Lackner
Missing Vol. 1, 2011
Photo: UMJ, Nicolas Lackner
Christoph Weber @ GALERIE JOCELYN WOLLF, Paris
Christoph Weber
@GALERIE JOCELYN WOLLF
78, rue Julien-Lacroix
F-75020 Paris
France
Jan14-Mar10, 2012
Untitled (Gegenstück), 2012, concrete, 130 x 135 x 90 cm
Untitled (Gegenstück), 2012, concrete, 130 x 135 x 90 cm
Untitled (Gegenstück) (detail), 2012, concrete, 130 x 135 x 90 cm
Untitled (Gegenstück), 2012, concrete, 130 x 135 x 90 cm
Bedel, 2012, rebars, cloth, cement, 675 long x 11 x 11 cm
Not yet titled, 2012, concrete, foil, 82 x 58 x 11 cm; Unfold, 2011, concrete, wood, 198 x 19 x 5 cm
Not yet titled, 2012, concrete, foil, 82 x 58 x 11 cm
Unfold, 2011, concrete, wood, 198 x 19 x 5 cm
Bedel, 2012, rebars, cloth, cement, 700 cm long x 11 x 11 cm; Bent inversion, 2012, concrete, 50 x 208 x 80 cm
Bent inversion, 2012, concrete, 50 x 208 x 80 cm
installation view
@GALERIE JOCELYN WOLLF
78, rue Julien-Lacroix
F-75020 Paris
France
Jan14-Mar10, 2012
Untitled (Gegenstück), 2012, concrete, 130 x 135 x 90 cm
Untitled (Gegenstück), 2012, concrete, 130 x 135 x 90 cm
Untitled (Gegenstück) (detail), 2012, concrete, 130 x 135 x 90 cm
Untitled (Gegenstück), 2012, concrete, 130 x 135 x 90 cm
Bedel, 2012, rebars, cloth, cement, 675 long x 11 x 11 cm
Not yet titled, 2012, concrete, foil, 82 x 58 x 11 cm; Unfold, 2011, concrete, wood, 198 x 19 x 5 cm
Not yet titled, 2012, concrete, foil, 82 x 58 x 11 cm
Unfold, 2011, concrete, wood, 198 x 19 x 5 cm
Bedel, 2012, rebars, cloth, cement, 700 cm long x 11 x 11 cm; Bent inversion, 2012, concrete, 50 x 208 x 80 cm
Bent inversion, 2012, concrete, 50 x 208 x 80 cm
installation view
RAQS MEDIA COLLECTIVE: GUESSWORK @ Frith Street Gallery, London
RAQS MEDIA COLLECTIVE: GUESSWORK
@Frith Street Gallery
17-18 Golden Square
London
W1F 9JJ
UK
Feb24-APr12, 2012
Untold Intimacy of Digits, 2011
Dimensions variable
@Frith Street Gallery
17-18 Golden Square
London
W1F 9JJ
UK
Feb24-APr12, 2012
Untold Intimacy of Digits, 2011
Dimensions variable
RAQIB SHAW: OF BEASTS AND SUPER-BEASTS @ Galerie Thaddaeus Ropac, Paris Debelleyme
RAQIB SHAW: OF BEASTS AND SUPER-BEASTS
@Galerie Thaddaeus Ropac, Paris Debelleyme
7 RUE DEBELLEYME, FR-75003 PARIS
France
Mar03-Apr07, 2012
THE NAPOLEON SUITE
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
190 x 348 x 4.5 cm (74.8 x 137.01 x 1.77 in)
SUITE OF THE EMERALD GREEN BOUDOIR
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
190 x 297 x 4.5 cm (74.8 x 116.93 x 1.77 in)
SUITE OF THE RUBY RED BOUDOIR OF BEASTS
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
190 x 297 x 4.5 cm (74.8 x 116.93 x 1.77 in)
MONKEY KING BOUDOIR I
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
136 x 288.5 x 6.5 cm (53.54 x 113.58 x 2.56 in)
LARGE PAPER WORK (STILL TO BE TITLED)
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
136 x 288.5 x 6.5 cm (53.54 x 113.58 x 2.56 in)
WHIMSY BEASTIES...LEMANZEE
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
66.5 x 60.5 cm (26.18 x 23.82 in) Framed dimensions : 76.2 x 70.2 cm
WHIMSY BEASTIES...HOUNDEREL I
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
66.5 x 60.5 cm (26.18 x 23.82 in) Framed dimensions : 76.2 x 70.2 cm
WHIMSY BEASTIES...COCK-A-LIKI
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
66.5 x 60.5 cm (26.18 x 23.82 in) Framed dimensions : 76.2 x 70.2 cm
WHIMSY BEASTIES...BUSHMUR
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
66.5 x 60.5 cm (26.18 x 23.82 in) Framed dimensions : 76.2 x 70.2 cm
WHIMSY BEASTIES...BUSHVAMPS I
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
66.5 x 60.5 cm (26.18 x 23.82 in) Framed dimensions : 76.2 x 70.2 cm
WHIMSY BEASTIES...FALCOCK
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
66.5 x 60.5 cm (26.18 x 23.82 in) Framed dimensions : 76.2 x 70.2 cm
WHIMSY BEASTIES...VULCOCK
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
66.5 x 60.5 cm (26.18 x 23.82 in) Framed dimensions : 76.2 x 70.2 cm
TO BE TITLED
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
78,3 cm diameter
@Galerie Thaddaeus Ropac, Paris Debelleyme
7 RUE DEBELLEYME, FR-75003 PARIS
France
Mar03-Apr07, 2012
THE NAPOLEON SUITE
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
190 x 348 x 4.5 cm (74.8 x 137.01 x 1.77 in)
SUITE OF THE EMERALD GREEN BOUDOIR
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
190 x 297 x 4.5 cm (74.8 x 116.93 x 1.77 in)
SUITE OF THE RUBY RED BOUDOIR OF BEASTS
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
190 x 297 x 4.5 cm (74.8 x 116.93 x 1.77 in)
MONKEY KING BOUDOIR I
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
136 x 288.5 x 6.5 cm (53.54 x 113.58 x 2.56 in)
LARGE PAPER WORK (STILL TO BE TITLED)
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
136 x 288.5 x 6.5 cm (53.54 x 113.58 x 2.56 in)
WHIMSY BEASTIES...LEMANZEE
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
66.5 x 60.5 cm (26.18 x 23.82 in) Framed dimensions : 76.2 x 70.2 cm
WHIMSY BEASTIES...HOUNDEREL I
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
66.5 x 60.5 cm (26.18 x 23.82 in) Framed dimensions : 76.2 x 70.2 cm
WHIMSY BEASTIES...COCK-A-LIKI
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
66.5 x 60.5 cm (26.18 x 23.82 in) Framed dimensions : 76.2 x 70.2 cm
WHIMSY BEASTIES...BUSHMUR
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
66.5 x 60.5 cm (26.18 x 23.82 in) Framed dimensions : 76.2 x 70.2 cm
WHIMSY BEASTIES...BUSHVAMPS I
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
66.5 x 60.5 cm (26.18 x 23.82 in) Framed dimensions : 76.2 x 70.2 cm
WHIMSY BEASTIES...FALCOCK
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
66.5 x 60.5 cm (26.18 x 23.82 in) Framed dimensions : 76.2 x 70.2 cm
WHIMSY BEASTIES...VULCOCK
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
66.5 x 60.5 cm (26.18 x 23.82 in) Framed dimensions : 76.2 x 70.2 cm
TO BE TITLED
2012
Graphite, Acrylic, Glitter, Enamel and Rhinestones on Paper
78,3 cm diameter
Steve Cope | Greta Gundersen | Susan Williams @ Gerald Peters Gallery, New York
Steve Cope | Greta Gundersen | Susan Williams
@Gerald Peters Gallery, New York
24 East 78th Street New York, NY 10075, USA
Mar01-Mar30, 2012
Steve Cope
California, 2012
Oil on Panel
2 x 8 in
Hidden Lake Montana, 2012
Oil on Panel
2 x 8 1/2 in
Chile, 2012
Oil on Panel
2 x 8 1/2 in
The Large Montana, 2012
Oil on Panel
2 x 8 1/2 in
Greta Gundersen
Copper Diptych, 2012
Top panel; oil on canvas, Bottom panel; oil on imitation copper leaf on canvas
48 x 48 in
Susurrus 1.15.11, 2011
Oil on canvas
48 x 72 in
Susurrus 10.29.10, 2010
Oil on canvas
48 x 72 in
Susan Williams
Aquiesce
oil on panel
24 x 24 in
Baby Cakes
oil on panel
44 x 56 in
Balance
oil on panel
24 x 24 in
By the Shore, 2011
oil on panel
56 x 44 in.
Cameo
oil on panel
9 x 12 in
Campground I
oil on panel
42 x 52 1/2 in
Later On
oil on panel
16 x 20 in
Spinning in Place
oil on panel
42 x 51 1/2 in
@Gerald Peters Gallery, New York
24 East 78th Street New York, NY 10075, USA
Mar01-Mar30, 2012
Steve Cope
California, 2012
Oil on Panel
2 x 8 in
Hidden Lake Montana, 2012
Oil on Panel
2 x 8 1/2 in
Chile, 2012
Oil on Panel
2 x 8 1/2 in
The Large Montana, 2012
Oil on Panel
2 x 8 1/2 in
Greta Gundersen
Copper Diptych, 2012
Top panel; oil on canvas, Bottom panel; oil on imitation copper leaf on canvas
48 x 48 in
Susurrus 1.15.11, 2011
Oil on canvas
48 x 72 in
Susurrus 10.29.10, 2010
Oil on canvas
48 x 72 in
Susan Williams
Aquiesce
oil on panel
24 x 24 in
Baby Cakes
oil on panel
44 x 56 in
Balance
oil on panel
24 x 24 in
By the Shore, 2011
oil on panel
56 x 44 in.
Cameo
oil on panel
9 x 12 in
Campground I
oil on panel
42 x 52 1/2 in
Later On
oil on panel
16 x 20 in
Spinning in Place
oil on panel
42 x 51 1/2 in